Guido Cagnacci(January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models. | |||
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Suicied of Cleopatra Suicied von Cleopatra Gemälde ID:: 39626 Siehe Galerie in Schweden |
Suicied of Cleopatra Suicied von Cleopatra mk150 after 1659 canvas 140x159.5cm mk150 nach der Leinwand140x159.5cm von 1659 mk150 after_1659 canvas 140x159.5cm |
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Hl. Hieronymus Gemälde ID:: 72036 Siehe Galerie in Schweden |
Hl. Hieronymus nach 1659 Oil on canvas :160 x 110,5 cm cjr nach_1659_ Oil_on_canvas _ :160_x_110,5_cm__ cjr |
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Maria Maddalena Gemälde ID:: 76693 Siehe Galerie in Schweden |
Maria Maddalena Oil on canvas 75,5 x 65,4 cm cjr Oil_on_canvas _ 75,5_x_65,4_cm _ cjr |
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Kaiser Leopold I. (1640-1705) im Kronungsharnisch Gemälde ID:: 76972 Siehe Galerie in Schweden |
Kaiser Leopold I. (1640-1705) im Kronungsharnisch um 1657/1658 Oil on canvas 190 x 120 cm cjr um_1657/1658_ Oil_on_canvas _ 190_x_120_cm cjr |
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Maddalena svenuta Gemälde ID:: 78763 Siehe Galerie in Schweden |
Maddalena svenuta Maddalena svenuta, ol/tl, 86x72 cm Galleria Nazionale d'Arte Antica, Roma 1663 cjr Maddalena_svenuta,_ol/tl,_86x72_cm_Galleria_Nazionale_d'Arte_Antica,_Roma _ 1663 _ cjr |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| Guido Cagnacci | ||||||||||
| (January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models. | ||||||||||
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